TSG: It’s often a case of stripping stuff back and actually really listening. GG: You mentioned the personal connections on the album – how do you adapt your drumming style to match the darker semantic places that Joe takes the songs? It’s all very coherent and complete to me. It’s little things like the drums on Philadelphia, or the picture that Walk a Mile paints in my mind. It’s very personal and very detailed in terms of how we’ve approached it, just because we’ve had so much time in our own little bubble during the pandemic. There are so many little things I really love and have a connection to that are specific to this album in a way that’s not really happened before. With stripped back cuts like Get Better and more grandiose songs like Philadelphia, do you feel there is one particular sound you connect with the album or is the sheer variety part of the charm? With a fourth album set to release next month, we met with drummer Thom Sonny Green prior to the band’s next stint in the limelight.Īlt-J’s upcoming record, The Dream, features an incredibly diverse range of tracks sonically. One of alternative music’s most exciting outfits, alt-J’s eclectic merging of acoustic folk, esoteric lyrics, and complex production has launched the three-piece into superstardom. The drummer and electronic producer discusses sonic influences, the songwriting process, and touring with anxiety ahead of alt-J’s fourth album.
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